Monday, May 28, 2007

Editing The Raw Files

Continuing from the 'Plan Ahead...Part Four' post on Sunday, May 27th:

8) Now that you have the DCIM folders copied to your Desktop, its time to back up all the folders to another Hard-Drive. This will guarantee that you won't get in a rush and delete any important images or lose the job due to a Hard-Drive failure. The likelihood that both of your computer's Hard Drives would fail at the same time is very slim, but it is certainly within the realm of possibility. Also remember, because you copied the files over, you still have the entire job ( back-up # 3 ) safely stored on your Card Media! This will make it nearly impossible to screw up and delete important files. And with digital, you don't always know what files will be needed until after you do your first edit and process the selects. Better to be safe than sorry!

To be continued...

Sunday, May 27, 2007

Plan Ahead...Part 4


Continuing from the 'Plan Ahead...Part 3' post on Thursday, May 24Th:

7) After your very successful assignment is finished and in the bag so to speak, it's time to get those stunning images backed up and on your Hard-Drive. If you use a Portable Digital Storage Device to back up CF/SD cards on location, the images should now be on at least one, if not both media. I like to copy the complete folder, labeled DCIM in Canon Cameras, with all images directly from the original source ( The Card ) to my main Hard-Drive. I use my computer's built in card reader ( which is slow as hell! ) to copy the images from my CF cards to the Desktop (Pc).
This gives me time to make more coffee. If you are not a Coffee Drinker, a High Speed USB 2.0 Card Reader will do the job much faster. My Workflow is pretty straightforward, so I know I'm not going to be at the computer too long. Whatever transfer device you end up using, do not copy the images directly from your camera! Remove the media (CF/SD) and transfer the images with a card reader. The camera is for taking photographs, not for transferring images to other storage. Keep that camera ready to go with a fresh formatted card before you leave the job site. You never know when a good opportunity for a great pic is going to pop up. Be prepared.

Once the first card has been copied to your Desktop, its time to rename the DCIM folder to something with the abbreviated job name followed by an underscore and the number 1. EXAMPLE: ABCorp_1. Now its important to remember that you are not moving the files from card to computer, you are copying the files from the card to the computer, leaving the original raw files still on the card! Repeat the above steps for every card with images, adding a new number to each new DCIM folder transferred to the Desktop ( ABCorp_2, ABCorp_3, ABCorp_4 etc...) until all cards have been copied. Don't forget to rename DCIM immediately after the copy to your Desktop. If you forget, the computer will not let you download the new DCIM folder to the desktop, or worse, it will ask you to over-write.

To be continued...

Saturday, May 26, 2007

A Little Guilty Humor...

So here it is............ as best as I can remember, or at least as it was told to me by one of my Photographer buddies, a Little Story about a Pain- in- the- Ass- Art Director who got a little too involved in the shoot!

So this Art Director/Buyer, a notorious, low budget, line- item- please, Estimate Slayer comes to a friends studio to oversee a tabletop setup for a company Ad. She wants every angle under the sun shot of this set, just in case! The large format Polaroids are flying and the camera stand is going higher and higher to get yet another angle.......... "Could we shoot one here too? " "How about here?" "No....... that's not it........much higher! ". So, at some point, this not-too-petite gal decides that she's going to take matters into her own hands and position the camera herself. She climbs the 12 ft ladder to get a better look at the set from camera position and gets the bright idea to lean out and try to see the image on the Ground Glass. A millisecond later she was diving head first onto the set, crashing thru the Formica covered 4x6 plywood, bouncing once and back again for the final ride to the floor. No screams, no yelps. One second shes climbing the ladder, the next shes a Human Wrecking Ball falling from the ceiling! For a few unbearably long seconds............silence! No one can speak, no one knows what to say. After a few moments the Photographer and his assistant spring into action, reaching down to offer any help and assess the severity of the situation. With no words and no explanation, the Canon Ball Art Director rises to her feet, brushes herself off and without speaking a word, starts walking toward the front door of the studio. Following close behind, my friend the Commercial Photographer continues to inquire about her injuries and state of mind, the standard questions when you witness someone ' Bust Ass ' so badly. No answer, Just nods and mumbling as she walks out the door.

My friend says that he nearly pushed out a hemorrhoid trying to stop himself from laughing.

This was a true story...

My Editor Says.....

My part time-unpaid editor says that I can't punctuate a sentence for Sh_T! He might be right. I guess it's a good thing I don't make a living as a proofreader.

more bad punctuation to come...

Friday, May 25, 2007

Coffee, Coffee, More Coffee...

My Java Addiction started 2 years ago. I sat for endless hours preparing images, hundreds of images, for an upcoming book project. The only thing that could motivate me to manually remove Chromatic Aberration from every image (350 total) was a double sized , double strength 'Cup of Joe' ! Not ordinary off the shelf grind, but whole bean fancy- boy imported fare! Only the best and strongest brew would draw me back to the computer to complete the job. With the help of the Devil's Bean, I developed a nifty technique for removing the Red, Green and Purple fringe that plagues Digital images shot with wide angle lenses. It ain't quick, but it's effective and doesn't harm the rest of the image like a lot of the Chromatic A. removal tools that come with some imaging software. I will be posting more on this in the 'Plan Ahead' series at a future date. Right now I need to go grind some beans...

Later...

Thursday, May 24, 2007

Plan Ahead....Part 3

Continuing from the 'Plan Ahead...Part 2 ' post on Thursday, May 17:

6) Now that you slackers have the right juice to run your 'Photo Creation Optical Illusion Facilitators', ( Cameras for the humor impaired ! ) you can move onto the nitty gritty of on the job workflow etiquette. I think it's time to ditch the fancy nylon CF/SD card wallets with the nifty see thru mesh and start separating unused formatted cards from the very important card that contains the job that you are currently shooting! You know what I mean. Stop the flip the card -one-way-or-the-other game! Shot.......not shot...........uhhhh......shot? You know you're just gonna load it in the camera to check anyway! Better to place the full cards in a completely separate area of your camera bag. That way you don't have to guess or confuse the hell out of your assistant as he races to get you a clean card for that 'once in a lifetime' photo of the 'Executive at his desk'. As we discussed before, those cards will remain untouched until after the job is completed and you have backed them up on no less than two hard-drives. This one bit of advice will 'Save Your Bacon Plenty!'

To Be Continued...